Arts / L&C Artists / William Birch

William Birch

By Charles F. Reed

The paintings of William Birch preserve a period of epic expansion as Philadelphia became the scientific center of the young nation.

William Russell Birch (9 April 1755–7 August 1834), a distinguished English artist known especially for his enamels of brilliant color and his miniature landscape engravings, was living at the time at his country house “Springland” north of Philadephia. A first edition copy of his famous views of Philadelphia, uniquely documenting an early American city, was then on display in the office of subscriber Thomas Jefferson, as it would be throughout his presidency. Although Birch found it easy to come by wealthy patrons, it was his interest to display not only the architecture of the young city but also the life of its inhabitants, whatever their occupations and status. There were always people in his scenes—often throngs of people. Their presence was not considered an obstruction to the view. The City of Philadelphia in the State of Pennsylvania as it Appeared in 1800 depicts not only the grand churches of the city but also a blacksmith’s shop being pulled to a new station in life as the first incarnation of Mother Bethel Church.

The buildings Birch portrayed have in turn tended to be those that have been preserved, restored or reconstructed, for which we are fortunate in the sense that the structures resurrect that particular brief period when an epic expansion began its exploratory trickle. The vigor of the expansion came close to ignoring and destroying some of the buildings we now honor by preserving. It certainly destroyed the rural countryside that once began at Ninth Street, to say nothing of the world of native peoples of the region and beyond. Birch’s scenes of Philadelphia displayed the strong foothold of the Europeanizatized that had begun at the eastern seaboard and was about to engulf all other societies. For the people along the Missouri who examined Jefferson’s portrait on an Indian peace medal, perhaps some glimpses from Jefferson’s copy of Birch’s plates would have made even clearer the solemn implications of the arrival of Lewis and Clark.

 

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Notes

Notes
1 The prints in the INHP collection, which originated in various portfolio sets that preceded Birch’s book, The City of Philadelphia, in the State of Pennsylvania North America, as it appeared in the Year 1800, measure approximately 18 by 14½ inches.

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  • The Lewis and Clark Expedition: Day by Day by Gary E. Moulton (University of Nebraska Press, 2018). The story in prose, 14 May 1804–23 September 1806.
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